ÿþThough the genetic metaphor is balenciaga slides overused in fashion language (e.g., the DNA of a house) it seems particularly relevant to Ghesquière who engineers a near molecular collage between the organic and the synthetic, the human and the inhuman, couture and street wear, all coded within the minutiae of his garments. Ghesquière has turned the metaphor into a genetic accelerator.It s unhealthy. You lose your identity, which is priceless and I didn t want to jeopardize it.In Paris I can quietly go out to a restaurant or a coffee shop, but in New York people openly express their admiration and appreciation. When I need an ego-boost, I visit New York!

The stakes were actually much higher in the U.S. in terms of quantities when there were  big beautiful orders as we say. The American market is contradictory. The brand image there was relatively well-preserved. American buyers told me at first that they would not buy the stronger pieces, but in the end they did and it was fairly balenciaga sandals balanced. The American myth that anything is possible is really true. I felt that I was incredibly welcome, without prejudices, that a label like Balenciaga should experience a revival. It was amazing, and I was only 25 then.

On the other hand the large department stores wanted me to do evening gowns in the beginning,?which balenciaga trainers I hated. I found it so tacky. I didn t understand whom they were addressing, but for them, Balenciaga was formal. I remember Bergdorf Goodman was determined that I make evening gowns, so I tried to do it my way. The late Carolyn Bessette-Kennedy bought the first one. Naturally, the retailer got very excited, but I was upset. I only really wanted to do urban daywear and let them know as much. We had a bumpy transition, but they stuck with me. American support was amazing and I am so grateful.

Of course  with almost every season they open doors to new possibilities. Without resorting to plagiarism, these designers are balenciaga speed trainers really models to which one can aspire. At the same time, they ve dipped into a fashion s shared heritage. We can identify ourselves in their work because of a totally idiosyncratic use of that heritage, from Chanel to 60s Balenciaga for example, and at the same time because the way they handle it takes us to new horizons. They give us a sharper and more discerning eye. Rei Kawakubo is not only exemplary for her uncompromising and radical design but because she really is the queen of merchandising  from leather accessories to the satellite collections.

One or two sprays strategically placed is perfect! It mellows down to a pretty scent that reminds me of a spicy clean smell not unlike the way clean fresh clothes smell (thank you Downy and Snuggle.) I mean that in a great way! I've also discovered that Burt's Bees lotion for dry skin is the perfect moisturizer to layer this over. B.B. has a soft vanilla scent and it gives the perfumed a honeyed base to go over. There's your PSA for today! So glad I didn't give a pass to Rumba! It's a new found love for my collection.Do not confuse with the license given by Balenciaga to Lapidus for the same perfume, in the same bottle but different formula and graphics.

Rumba-Balenciaga or Ted Lapidis. Had both and sorry I did not really compare the balenciaga sneakers womens two to see if they changed and added notes. This to many,may be a little fruity. Gave a small half-used bottle to a co-worker, it smelled so nice and woody on HER. I don't know if it did me like that. I smell the fruit mostly on my skin. This not a shy fragrance. You will be noticed.This is so unique. You know how sometimes you find a fragrance and it kind of resembles another fragrance in some way that you can compare them to one another? With Rumba Balenciaga I cannot find anything else that comes to mind.