We talk about celebrity style and pop culture here, but baseball hats for men it is next level in Korea. The internet and social makes the whole world accessible, so now there is a broader audience or really a global audience watching. As for what makes Korean fashion so different, the pace at which its consumers absorb the latest products is faster than you can say  trend. Right now, there s a heavy focus on easy-to-wear pieces and streetwear that s been made popular by the country s burgeoning entertainment industry and its bevy of stylish stars.

Benedict Cumberbatch s Sherlock describes himself as a  high-functioning sociopath in response to being characterized by others as a  psychopath. The distinction between sociopath and psychopath is subtle; the dictionary regards them as virtually synonymous. Neither term is entered in the standard psychology reference, Diagnostic and Statistical Manual of Mental Disorders , where baseball hats mens the preferred term is antisocial personality disorder . Some psychologists assert that sociopaths are nervous, volatile, and disorganized, while psychopaths are careful, manipulative, and charming. A sociopath has a bit of a conscience, but a psychopath has none at all.

In The Hound of the Baskervilles , a romantic meeting between Sir beach hat womens Henry Baskerville and Miss Stapleton takes place despite Holmes s strict orders that Sir Henry never leave Watson s sight because of the curse of the  fiend dog. Sir Henry insists he must go alone, saying to Watson, in dialogue that was invented for the TV version (with Jeremy Brett as Holmes and Edward Hardwicke as Watson):  You d make a very civil gooseberry, but no I m afraid I have to go alone. Since the scene is recounted in a letter from Watson to Holmes in the original story, this word choice represents a charming wholesale hat piece of faux Victorian English.

 The Specialist s Hat has become a touchstone for a number of overlapping literary movements (magic realism, slipstream, interstitial, metafiction, fabulation, weird fiction), and there is good reason for this. It infuses tropes drawn from Gothic tales such as Horace Walpole s Castle of Otranto or ghost stories such as M. R. James s classic  Oh, Whistle and I ll Come to You, My Lad with a playfully postmodern sensibility. The story has a peculiar lightness to it, as it weaves together children s games, fairy tales, oral histories, and snatches of poetry whose deliberate awfulness amuses us even as it unsettles us.

For }
i~
ek, the lamella  indivisible, indestructible, and immortal, an  entity of pure surface& first heard as a shrilling sound, and then [popping] up as a monstrously distorted body  is undead , possessed not of a  sublime spiritual immortality but rather the  obscene immortality of a zombie. It is a creature which cannot die; it recomposes itself in the face of violence and clumsily staggers on. It is unstoppable, a representation of  an uncanny excess of life ; it is the urge to persist beyond the natural cycle of hat In summer generation and corruption.

Is it their father who has come for them? Or is it, as the babysitter suggests, the Specialist? And is this what we find terrifying in the story: the disappearance of the father, his replacement by a simulacrum, almost identical, someone who pretends to love them but who is fundamentally a stranger? Quis est? Perhaps this is part of the terror, but it isn t everything. What leaves us most disturbed, I think, is not their father s transformation into the Specialist but rather their own transformation, facilitated by their interaction with the Specialist s hat  the lamella.